Titles in this set:
- Soul Music
- Interesting Times
- Maskerade
- Feet Of Clay
- Hogfather
Description:
Soul Music
'This didn't feel like magic. It felt a lot older than that. It felt like music.'
Being sixteen is always difficult, but it's even more so when there's a Death in the family. Susan hasn't exactly had a normal upbringing, with a skeletal grandfather who rides a white horse and wields a scythe.
When Death decides he needs a well-earned break, he leaves Susan to take over the family business. The only problem is, everyone mistakes her for the Tooth Fairy . . .
Well, not the only problem. There's a new, addictive music in Discworld. It's lawless. It changes people. It's got a beat and you can dance to it.
It's called Music With Rocks In. And it won't fade away . . .
Interesting Times
'There is a curse. They say: may you live in interesting times . . .'
This is the worst thing you can wish on a citizen of Discworld. Especially for the magically challenged Rincewind, who has already had far too much excitement in his life.
Unfortunately, the unlucky wizard always seems to end up in the middle of, well, absolutely everything. So when a request for a 'Great Wizzard' arrives from the faraway Counterweight Continent, it's obviously Rincewind who's sent. For one thing, he's the only one who spells wizard that way.
Once again Rincewind is thrown headfirst into a dangerous adventure. For the oldest empire on the Disc is in turmoil and Chaos is building. And, for some reason, someone believes Rincewind will have a vital role in the coming war . . .
Maskerade
'There's a kind of magic in masks. Masks conceal one face, but they reveal another. The one that only comes out in darkness . . .'
The Opera House in Ankh-Morpork is home to music, theatrics and a harmless masked Ghost who lurks behind the scenes. But now a set of mysterious backstage murders may just stop the show.
Agnes Nitt has left her rural home of Lancre in the hopes of launching a successful singing career in the big city. The only problem is, she doesn't quite look the part. And there are two witches who would much rather she return home to join their coven.
Granny Weatherwax and Nanny Ogg have travelled to Ankh-Morpork to convince Agnes that life as a witch is much better than one on the stage. Only now they're caught up in a murder mystery featuring masks and maniacal laughter.
And the show MUST go on . . .
Feet Of Clay
Commander Sam Vimes of the City Watch is used to trouble. There's always trouble in Ankh-Morpork.
But this is new: people are being brutally murdered and there's no evidence of anything alive having been at the crime scene. At the same time, the most powerful man in the city has been poisoned and is clinging on to life by a thread.
It's a conundrum of a case. With the help of Captain Carrot, the only watchman who knows the law inside-out; Corporal Cheery Littlebottom, an unconventional dwarf with an eye for forensics; and Constable Angua, a werewolf with an excellent sense of smell, Vimes tries to solve the mystery.
But time is of the essence, for something extremely dangerous is loose in the city, its red eyes glowing in the night ...
Hogfather
'Humans need fantasy to be human. To be the place where the falling angel meets the rising ape.'
'Twas the night before Hogswatch and all through the house . . . something was missing.
Superstition makes things work in the Discworld and undermining it can have consequences. When Death realizes that belief in the Hogfather is dangerously low, he decides to take on the job. But it's just not right to find a seven-foot skeleton creeping down your chimney and trying to say 'ho, ho, ho'.
It's the last night of the year, the time is turning, and if Susan, gothic governess and Death's granddaughter, doesn't sort everything out by morning, there won't be a morning. Ever again . . .
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