Titles in this set:1. Reputation
2. Infamous
3. Trouble
Description:ReputationAbandoned by her parents, bookish and sheltered Georgiana Ellers is spending the summer with her stodgy aunt and uncle at their home in the English countryside. At a particularly dull party, she meets the enigmatic Frances Campbell, a wealthy member of the in-crowd who delights Georgiana with her disregard for so-called "polite society."
Lonely and vulnerable, Georgiana quickly falls in with Frances and her wealthy, wild, and deeply improper friends, who introduce her to the upper echelons of Regency aristocracy, and a world of drunken debauchery, frivolous spending, and mysterious young men. One, in particular, stands out from the rest: Thomas Hawksley, who has a tendency to cross paths with Georgiana in her most embarrassing moments. Sparks fly, but Thomas seems unimpressed with the company she is keeping. And soon, Georgiana begins to wonder whether she’ll ever feel like she fits in––or if the price of entry into Frances’s gilded world will ultimately be higher than she is willing to pay.
Set against a backdrop of lavish parties, handsome men on horseback––and in a time when one’s reputation was everything––this edgy, hilarious romantic comedy explores sex, consent, belonging, and status through the eyes of an unforgettable heroine that Austen herself would have cheered for.
InfamousTwenty-two-year-old aspiring writer Edith (“Eddie”) Miller and her best friend Rose have always done everything together—from climbing trees and sneaking bottles of wine, to extensive kissing practice. But Rose has started talking about marriage, and Eddie is horrified. Why can’t they continue as they always have?
Then Eddie meets charming, renowned poet Nash Nicholson––a rival of Lord Byron, if he does say so himself––and he welcomes her into his world of eccentric artists and boundary-breaking visionaries. When Eddie receives an invitation to Nash's crumbling Gothic estate in the countryside, promising inspiration (and time to finish her novel, a long-held dream), she eagerly agrees. But the pure hedonism and debauchery that ensues isn’t exactly what she had in mind, and Eddie soon finds herself torn between her complicated feelings for Rose and her equally complicated dynamic with Nash, whose increasingly bad behavior doesn’t match up to her vision for her literary hero.
Will Eddie be forced to choose between her friendship with Rose and her literary dreams––or will she be able to write her own happily ever after?
TroubleThere's a new governess at Fairmont House, and she's going to be nothing but trouble.
Emily Laurence is a liar. She is not polite, she's not polished, and she has never taught a child in her life. This position was meant to be her sister's––brilliant, kind Amy, who isn't perpetually angry, dangerously reckless, and who does (inexplicably) like children.
But Amy is unwell and needs a doctor, and their father is gone and their mother is useless, so here Emily is, pretending to be something she's not.
If she can get away with her deception for long enough to earn a few month's wages and slip some expensive trinkets into her pockets along the way, perhaps they'll be all right.
That is, as long as she doesn't get involved with the Edwards family's dramas. Emily refuses to care about her charges - Grace, who talks too much and loves too hard, and Aster, who is frankly terrifying but might just be the wittiest sixteen-year-old Emily has ever met - or the servants, who insist on acting as if they're each other's family. And she certainly hasn't noticed her employer, the brooding, taciturn Captain Edwards, no matter how good he might look without a shirt on . . .
As Fairmont House draws her in, Emily's lies start to come undone. Can she fix her mistakes before it's too late?
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